Breath teaser
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
everything i could find is here
A pretty-much complete history in no particular order, including posters, titles, interviews and articles. Highly recommended for weird completists and the terminally bored.
19/12/2022
Read MoreBreath
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. This is the release poster, which bears at best a passing resemblance to the file I delivered for same.…
19/12/2022
Read MoreBeing Venice
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreBellbird
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Producers insisted we use this image for some reason. More at jeremysaunders.com
19/12/2022
Read MoreBellflower (unused)
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreThe Bet
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreBeyond the Known World
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Have my doubts about the scale on this one. More at jeremysaunders.com
19/12/2022
Read MoreBirthday
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Blasphemy! Also seem to have lost the credit block. More at jeremysaunders.com
19/12/2022
Read MoreBlood Orange
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreBlow-Up
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Created for some book that never appeared. More at jeremysaunders.com
19/12/2022
Read MoreBlue teasers (unused? Maybe)
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreLow Life
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
19/12/2022
Read MoreA Bit of Black Business
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. I think this might have been the first title I did. More at jeremysaunders.com
19/12/2022
Read MoreBoy version A
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Largely indistinguishable from the original, if memory serves. More at jeremysaunders.com
07/12/2022
Read MoreJeremy Saunders 20th Anniversary 2003-2023
It’s been 20 years since I started creating key art and titles for films and TV. To celebrate I’m going to post a different piece of work from my archive every single day during 2023. In the meantime, here’s a headache for you.
13/01/2020
Read MoreSelected Clients
Streaming & Broadcast Netflix • Showtime • Stan • Australian Broadcasting Corporation • SBS Distribution Roadshow • Warner Brothers • Sony Pictures • Paramount • Transmission • Madman Films • EOne • Rialto • Icon Films • Dendy Films • Curious Film • Kojo Pictures…
26/07/2018
Read MoreManifesto
The world of key art has changed. Not just physically, with a shift away from printed artwork to screen-based images, but also in terms of the nature of key art itself, and what it represents. It’s still the most concise and direct window into the…
26/07/2018
Read MoreInternships, Employment & Mentoring
Internships Nope. In addition to largely being scams whereby employers exploit enthusiasm in exchange for very little actual ‘work experience’ (especially, you know, the being paid bit), internships particularly disenfranchise folks who are without the benefit of wealthy support networks. So we don’t do internships.…
26/07/2018
Read MoreAbout Jeremy
I grew up in a tiny village tucked away in the heart of the Cotswolds, in the west of England. Trips to the cinema felt rare and were much cherished. There was a more regular source for my passions, however. I’d often see key art…
26/07/2018
Read MoreEthics Policy
Through our work, each of us have the opportunity and the responsibility to put our system of basic values into action — to model the behaviour that we want to see in the world. Creating these designs, I believe have ethical responsibilities to: the client…
30/05/2017
Read MoreA Landscape of Fear
This article was originally written for The Territories in 2015. The Sum Total of my Understanding of the Australian Landscape Prior to my Arriving in Australia I’m, what, seven years old. The slowly-forming bush paintings of Rolf Harris as painted during his 1970s heyday Rolf…
24/08/2015
Read MoreMIFF Talking Pictures
Here’s a short excerpt from the panel I took part in at this year’s Melbourne International Film Festival, talking with some fellow travellers about the current state and future of movie poster design.
24/08/2015
Read MoreScreen Director podcast interview
Here’s an interview with me rattling on and on about key art design, working with directors and the current state of both key art and Australian movie marketing in general over at the Screen Director podcast. You can access it here (it does last an…
18/07/2013
Read MoreDesktop Magazine #295
In this month’s physical paper issue of Desktop Magazine I’m interviewed about the nature of key art in Australia, and how our identities and sensibilities shape the key art we produce. 2009, I think; I’ve found the answers I sent in, and copied below. Desktop…
05/06/2012
Read MoreNice Work #3
The Social Network, Neil Kellerhouse, 2010 In advertising I don’t think you can be disingenuous at all. With social media and the speed of communication you have to be really honest and up front about what you have with your property and be true to…