13/01/2020

Selected Clients

Netflix • Showtime • Stan • Australian Broadcasting Corporation Roadshow • Sony Pictures • EOne • Paramount • Transmission • Madman Films • Rialto • Icon Films • Dendy Films • Curious Film • Kojo Pictures Matchbox Films • See-Saw Films • Porchlight Films •…
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26/07/2018

Manifesto

The world of key art has changed. Not just physically, with a shift away from printed artwork to screen-based images, but also in terms of the nature of key art itself, and what it represents. It’s still the most concise and direct window into the…
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26/07/2018

Internships, Employment & Mentoring

Internships Nope. In addition to largely being scams whereby employers exploit enthusiasm in exchange for very little actual ‘work experience’ (especially, you know, the being paid bit), internships particularly disenfranchise folks who are without the benefit of wealthy support networks. So we don’t do internships.…
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26/07/2018

About Jeremy

I grew up in a tiny village tucked away in the heart of the Cotswolds, in the west of England. Trips to the cinema felt rare and were much cherished. There was a more regular source for my passions, however. I’d often see key art…
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26/07/2018

Ethics Policy

Through our work, each of us have the opportunity and the responsibility to put our system of basic values into action — to model the behaviour that we want to see in the world. Creating these designs to promote works of art, I believe have…
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30/05/2017

A Landscape of Fear

This article was originally written for The Territories in 2015. The Sum Total of my Understanding of the Australian Landscape Prior to my Arriving in Australia I’m, what, seven years old. The slowly-forming bush paintings of Rolf Harris as painted during his 1970s heyday Rolf…
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24/08/2015

MIFF Talking Pictures

Here’s a short excerpt from the panel I took part in at this year’s Melbourne International Film Festival, talking with some fellow travellers about the current state and future of movie poster design.
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24/08/2015

Screen Director podcast interview

Here’s an interview with me rattling on and on about key art design, working with directors and the current state of both key art and Australian movie marketing in general over at the Screen Director podcast. You can access it here (it does last an…
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18/07/2013

Desktop Magazine #295

In this month’s physical paper issue of Desktop Magazine I’m interviewed about the nature of key art in Australia, and how our identities and sensibilities shape the key art we produce.
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05/06/2012

Nice Work #3

The Social Network, Neil Kellerhouse, 2010 In advertising I don’t think you can be disingenuous at all. With social media and the speed of communication you have to be really honest and up front about what you have with your property and be true to…
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25/05/2012

Nice Work #2

Rosemary’s Baby, by Stephen Frankfurt, 1968 Ah, here we are. A bona fide classic, by a bona fide advertising guy. Or maybe not. Let’s just acknowledge this so it can be got out of the way at the beginning: Steve Frankfurt is credited as the…
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20/05/2012

Nice Work #1

Nordeste, designed by Egil Haraldsen, 2005 “Generally I would say that there are too many designers who follow the international trends rather than think for themselves. Of course, society needs more aesthetes. I will be happy to be a politically independent Minister of Taste for…
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06/02/2012

Interview with The Poster Collective

I answered eight questions over at the Poster Collective. You can read the answers (and the questions, helpfully) here. Interview with the Poster Collective (2012)
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22/11/2011

Adobe Design For Impact

I was chosen by Adobe as one of four international ‘design heroes’ to present a selection of my work and discuss design and layout, at a live web conference in Singapore. It’s quite a design-focused chat rather than a film-focused one, but we talk about…
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17/09/2011

Interview for MUBI’s Poster of the Week

Adrian Curry had already given some very kind reviews of my work before, so when he decided to highlight the Burning Man poster in his regular column, he asked me for a few words about it. Naturally I gave him a few hundred. Interview and…
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25/08/2011

The Canberra Times

Bit of a surprise this one. I had no idea, but it looks like an interesting exhibition. Piece is here.
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15/06/2011

Interview with The Movie Club

Interview with Michael Adams and Chris Murray for Showtime’s The Movie Club. The Movie Club interview (2011) from Jeremy Saunders on Vimeo.
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15/06/2011

Showtime Movie News

Interview and feature on Showtime Movie News. Showtime Movie News interview (AUS) (2011) from Jeremy Saunders on Vimeo.
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16/11/2010

The Pragmatic Art of Poster Design

Interview with Encore Magazine where four of Australia’s key art designers are asked about the future of key art.  I forgot to bring along any punctuation. For what it’s worth, the points I was stumbling drunkenly toward were these: that key art is still vital…
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11/06/2010

Work by Jeremy Saunders: An exhibition

27th to 30th May 2010, Dungog NSW. Thanks to the fine folks at the Dungog Film Festival, particularly Stavros and Allanah, for their support and encouragement. The reprints and unprinted designs were printed by WHO Printing in Newcastle, and then those and the original posters…
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