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  • key art
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Date 13/01/2020
Author Jem
Categories title design

Mr Inbetween

Over the course of the design process we lost unicorns but managed to keep the bright pink. As dads of daughters (like Ray) Nash (Edgerton, director/producer) and I were both suddenly extremely aware of the power of the colour pink, and its sudden prevalence in our lives. And what a wonderful colour. Seriously, the best.

I was delighted to find the target in the negative space in the text layout too. The Americans did a ‘real’ neon sign which was very nice of them, but they missed the target, literally and figuratively. Ah well.

Series 2, despite many, many hours spent wrangling virtual mythical beasts in the back streets of Sydney, eventually reverted to the same, but blue. Look forward to next season. I’m thinking green.

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All content is copyright Jeremy Saunders, except where noted here. All rights reserved. This site and the contents within were created on unceded land. I would like to acknowledge the Traditional Owners of the land on which these works were created, the Arakwal People of the Bundjalung Nation and pay my respects to Elders past and present. This site operates on a no-data policy wherever possible. Still, there is a privacy policy here if you really want to read one.
©2022 Jeremy Saunders, except where noted.

the unauthorised autobiography of jeremy saunders

Jeremy Saunders

Described — a very long time ago, by the once-popular internet site aintitcoolnews.com — as “one of the most interesting poster designers in the world”, Jeremy Saunders has created key art and titles for very nearly 400 movies and shows including works by Lars von Trier, Jane Campion, Taika Waititi, Steven Soderbergh, Andrea Arnold, Warwick Thornton and many more. Unfortunately since this time no-one has said anything nice about his work, likely with good reason. His increasingly panicked attempts to spend his remaining years in the pursuit of almost anything else are routinely thwarted by the vicissitudes of a cruel, cold universe.

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