Over the course of the design process we lost unicorns but managed to keep the bright pink. As dads of daughters (like Ray) Nash (Edgerton, director/producer) and I were both suddenly extremely aware of the power of the colour pink, and its sudden prevalence in our lives. And what a wonderful colour. Seriously, the best.
I was delighted to find the target in the negative space in the text layout too. The Americans did a ‘real’ neon sign which was very nice of them, but they missed the target, literally and figuratively. Ah well.
Series 2, despite many, many hours spent wrangling virtual mythical beasts in the back streets of Sydney, eventually reverted to the same, but blue. Look forward to next season. I’m thinking green.