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Date 13/01/2020
Author Jem
Categories title design

Mr Inbetween

Over the course of the design process we lost unicorns but managed to keep the bright pink. As dads of daughters (like Ray) Nash (Edgerton, director/producer) and I were both suddenly extremely aware of the power of the colour pink, and its sudden prevalence in our lives. And what a wonderful colour. Seriously, the best. I was delighted to discover the target in the negative space in the text layout too. Series 2, despite many hours spent again wrangling virtual mythical beasts, eventually reverted to the same, but blue. And then to match the excellent key art (not mine) for the final season, grey and flame.

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All content is copyright Jeremy Saunders, except where noted here. All rights reserved.
Aboriginal and Torres Strait Islander viewers are cautioned that this site may contain images of deceased persons. I would like to acknowledge the Traditional Owners of the unceded land on which these works were created, the Arakwal People of the Bundjalung Nation and pay my respects to Elders past and present.
This site operates on a no-data policy wherever possible. Still, there is a privacy policy here if you really want to read one.
©2000 - 2025 Jeremy Saunders, except where noted.
Jeremy Saunders

Described — a very long time ago, by the once-popular internet site aintitcoolnews.com — as “one of the most interesting poster designers in the world”, Jeremy Saunders has created key art and titles for over 450 movies and shows including works by Lars von Trier, Jane Campion, Taika Waititi, Ron Howard, Andrea Arnold, Warwick Thornton and many more. Unfortunately since this time no-one has said anything nice about his work, likely with good reason. His increasingly panicked attempts to spend his remaining years in the pursuit of almost anything else are routinely thwarted by a cruel, cold universe.

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