19/12/2022

Blue teasers (unused? Maybe)

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
Read More
19/12/2022

Low Life

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
Read More
19/12/2022

A Bit of Black Business

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. I think this might have been the first title I did. More at jeremysaunders.com
Read More
19/12/2022

Boy version A

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023.  Largely indistinguishable from the original, if memory serves. More at jeremysaunders.com
Read More
07/12/2022

Jeremy Saunders 20th Anniversary 2003-2023

It’s been 20 years since I started creating key art and titles for films and TV. To celebrate I’m going to post a different piece of work from my archive every single day during 2023. In the meantime, here’s a headache for you.
Read More
13/01/2020

Selected Clients

Streaming & Broadcast Netflix • Showtime • Stan • Australian Broadcasting Corporation • SBS Distribution Roadshow • Warner Brothers • Sony Pictures • Paramount • Transmission • Madman Films • EOne • Rialto • Icon Films • Dendy Films • Curious Film • Kojo Pictures…
Read More
26/07/2018

Manifesto

The world of key art has changed. Not just physically, with a shift away from printed artwork to screen-based images, but also in terms of the nature of key art itself, and what it represents. It’s still the most concise and direct window into the…
Read More
26/07/2018

Internships, Employment & Mentoring

Internships Nope. In addition to largely being scams whereby employers exploit enthusiasm in exchange for very little actual ‘work experience’ (especially, you know, the being paid bit), internships particularly disenfranchise folks who are without the benefit of wealthy support networks. So we don’t do internships.…
Read More
26/07/2018

About Jeremy

I grew up in a tiny village tucked away in the heart of the Cotswolds, in the west of England. Trips to the cinema felt rare and were much cherished. There was a more regular source for my passions, however. I’d often see key art…
Read More
26/07/2018

Ethics Policy

Through our work, each of us have the opportunity and the responsibility to put our system of basic values into action — to model the behaviour that we want to see in the world. Creating these designs, I believe have ethical responsibilities to: the client…
Read More
30/05/2017

A Landscape of Fear

This article was originally written for The Territories in 2015. The Sum Total of my Understanding of the Australian Landscape Prior to my Arriving in Australia I’m, what, seven years old. The slowly-forming bush paintings of Rolf Harris as painted during his 1970s heyday Rolf…
Read More
24/08/2015

MIFF Talking Pictures

Here’s a short excerpt from the panel I took part in at this year’s Melbourne International Film Festival, talking with some fellow travellers about the current state and future of movie poster design.
Read More
24/08/2015

Screen Director podcast interview

Here’s an interview with me rattling on and on about key art design, working with directors and the current state of both key art and Australian movie marketing in general over at the Screen Director podcast. You can access it here (it does last an…
Read More
18/07/2013

Desktop Magazine #295

In this month’s physical paper issue of Desktop Magazine I’m interviewed about the nature of key art in Australia, and how our identities and sensibilities shape the key art we produce. 2009, I think; I’ve found the answers I sent in, and copied below. Desktop…
Read More
05/06/2012

Nice Work #3

The Social Network, Neil Kellerhouse, 2010 In advertising I don’t think you can be disingenuous at all. With social media and the speed of communication you have to be really honest and up front about what you have with your property and be true to…
Read More
25/05/2012

Nice Work #2

Rosemary’s Baby, by Stephen Frankfurt, 1968 Ah, here we are. A bona fide classic, by a bona fide advertising guy. Or maybe not. Let’s just acknowledge this so it can be got out of the way at the beginning: Steve Frankfurt is credited as the…
Read More
20/05/2012

Nice Work #1

Nordeste, designed by Egil Haraldsen, 2005 “Generally I would say that there are too many designers who follow the international trends rather than think for themselves. Of course, society needs more aesthetes. I will be happy to be a politically independent Minister of Taste for…
Read More
06/02/2012

Interview with The Poster Collective

I answered eight questions over at the Poster Collective. You can read the answers (and the questions, helpfully) here. Interview with the Poster Collective (2012)
Read More
22/11/2011

Adobe Design For Impact

I was chosen by Adobe as one of four international ‘design heroes’ to present a selection of my work and discuss design and layout, at a live web conference in Singapore. It’s quite a design-focused chat rather than a film-focused one, but we talk about…
Read More
17/09/2011

Interview for MUBI’s Poster of the Week

Adrian Curry had already given some very kind reviews of my work before, so when he decided to highlight the Burning Man poster in his regular column, he asked me for a few words about it. Naturally I gave him a few hundred. Interview and…
Read More